备注：已完结
类型：喜剧片
主演：卡罗尔·戴姆斯特 . .菲尔兹 阿尔弗雷德·伦特 埃尔维利·阿尔德森
导演：大卫·格里菲斯
语言：英语
年代：未知
简介：Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Prof. McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of Judge Foster's friend, falls in love. When Sally is arrested McGargle proves her real parentage.
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类型：剧情片
主演：约翰·吉尔伯特 蕾妮·阿多莉 霍巴特·博斯沃恩 克莱尔·麦克道尔 克莱
语言：英语
年代：未知
简介：第一次世界大战的末期，美国派兵赴欧洲参战，富家子弟吉姆(约翰·吉尔伯特 饰)也加入了军队，在部队中跟建筑工人出身的斯利姆和酒保布尔很快成为了好友。部队在法国登陆，驻扎在一个小村庄里。在那里，吉姆认识了法国村姑梅丽桑德(蕾妮·阿多莉 饰)，两人很快燃起了爱火。不久，部队奉命开赴前线，吉姆被迫离去。梅丽桑德在军用卡车后紧追不舍，吉姆脱下军靴抛给她，表达自己对她的爱意。 在前线，炮火密集，吉姆、斯利姆和布尔躲在炮弹坑中十分着急。经过抽签，由斯利姆冲出坑外对付敌人的大炮。炮声停止了，但斯利姆一直没有回来。吉姆十分担心，往敌阵中寻找，果然发现了斯利姆的尸体。 美军进行大规模反攻，吉姆奋勇作战，结果因腿部中弹而住进野战医院。在那里，他听说梅丽桑德所在的村庄处境十分危险，于是偷偷溜出医院赶到村庄，却发现该地已成一片废墟……
备注：已完结
类型：科幻片
主演： ö
语言：其它
年代：未知
简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
