备注：已完结
类型：电影
主演：杰拉·菲利浦 莉泽洛特·普尔韦尔 弗朗索瓦丝·罗赛 让·达奈 让-马克
导演：克洛德·奥当-拉哈
语言：
年代：未知
简介：In 1866, a young Muscovite named Alexei Ivanovitch arrives in Baden Baden, then the gambling capital of Austria, and is soon engaged by General Zagorianski to look after his children. Alexei discovers that his employer is a compulsive gambler who has been almost ruined by his addiction. The only money the General has is provided by the Marquis de Grieux, an adventurer who intends to marry Zagorianski’s sister, Pauline. In doing so, de Grieux hopes to profit from the vast inheritance that will come the General’s way from his Aunt Antonina, who is presently very ill. Alexei is appalled by this society which lives only for money. He loves Pauline and wants to take her to a healthier place, but when she refuses to marry him, he begins to gamble at the casino…
备注：已完结
类型：电影
主演：托马斯·库芒
语言：
年代：未知
简介：巴黎深秋的一个清晨，22岁贵族出身的拉法埃尔·瓦朗坦在赌桌上输光了身上的最后一枚金币后，准备投进塞纳河自尽。但这位才华横溢的年轻侯爵并没有成功。他希望几个月前努力在写的一本论意志的书会给他带来名利双收，结果却仍是身无分文。当瓦朗坦经过一家古董店时，他想得到一把枪来结束自己的生命。然而，古怪的盲古董商却给了他一张印有天竺文字的驴皮。这张驴皮能为主人实现任何的愿望，但愿望一经实现，驴皮会立刻缩小，主人的寿命也随之缩短。瓦朗坦开始从掳获金钱的快感，去填壑无尽的欲望，另一方面象征他的生命的驴皮也逐步的缩小，将他带往死亡。当成为百万富翁的瓦朗坦终于有了自己心仪的女人时，这位把灵魂出卖给魔鬼的浪荡子猛然惊觉，死神已临近身旁，只能眼睁睁地看着自己的末日来临。
备注：已完结
类型：电影
导演：弗朗索瓦·特吕弗
语言：
年代：未知
简介：克劳德（让-皮埃尔·利奥德 Jean-Pierre Léaud 饰）结识了名叫安娜（吉卡·马克汉姆 Kika Markham 饰）的美丽女子，两人交往了一段时间后觉得十分投缘，安娜遂即要请克劳德到自己的家中做客。在安娜的家中，克劳德见到了安那性格内向害羞腼腆的妹妹米瑞尔（斯塔西·汤德黛 Stacey Tendeter 饰），之后，克劳德向米瑞尔展开了热烈的攻势。 在遭到了米瑞尔的拒绝之后，克劳德离开了伤心地，决定开始新的生活，在此期间，他一直和米瑞尔保持着信件来往。一次偶然中，克劳德遇见了久违的安娜，孤男寡女相见犹如干柴烈火，但这种关系并没有维持多久，很快，安娜就和克劳德的朋友狄尔卡（Philippe Léotard 饰）在一起了，但是，克劳德与安娜和米瑞尔之间的故事并没有就此结束。
备注：已完结
类型：电影
主演：米歇尔·摩根 杰拉·菲利浦 让·德赛利 皮埃尔·迪克斯 雅克·法布里
导演：雷内·克莱尔
语言：
年代：未知
简介：德拉维尔蒙（杰拉·菲利浦 Gérard Philipe 饰）是一位年轻而又英俊的军官，无数的女人们臣服在他的花言巧语之下，而他的各种风流韵事亦在大街小巷里传得沸沸扬扬。某日，德拉维尔蒙和好友勒鲁瓦打了一赌，赌他在这个月之内能够斩获一位女士的芳心，在舞会上，德拉维尔蒙将筹码压在了名叫玛莉路易斯（米歇尔·摩根 Michèle Morgan 饰）的女子身上，随即对她展开了热烈的攻势。 玛丽路易斯还有另一位名叫杜维尔格（让·德赛利 Jean Desailly 饰）的追求者，他的存在激起了德拉维尔蒙的胜负心，这一次，他表现的格外卖力。哪知道随着时间的推移，德拉维尔蒙竟然真的爱上了风情万种的玛莉路易斯。
备注：已完结
类型：电影
主演：皮埃尔·布拉瑟 西尔瓦娜·潘帕尼尼 保罗·盖尔 雅克·图亚
导演：阿贝尔·冈斯
语言：
年代：未知
简介：Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.
