备注：已完结
类型：恐怖片
语言：英语
年代：未知
简介：20年前，女子特雷西（Kt Fanelli 饰）被恶魔附身，当地教会组织了驱魔仪式，结果仪式失败，两名参与仪式的神父双双丧生，唯一的生还者，是当时担任摄像的特雷西的儿子。一晃眼二十年过去，布兰登（克里斯·迈纳 Chris Minor 饰）和同学克莱（Jake Brinn 饰）将这宗失败的驱魔事件选定成为了他们的课题作业，两人找到了当年的驱魔录像带，并且来到了特雷西的老家，决定在那里重启降灵仪式并且进行网络直播。 最终，降灵仪式失败了，但是布兰登和克莱的所作所为引起了当地一个邪教组织的注意。之后，布兰登震惊的发现，当年的特雷西竟然就是自己的母亲，很快的，布兰登就成为了恶灵觊觎的对象。
备注：已完结
类型：剧情片
主演：樊尚·罗蒂埃 阿娜伊斯·德穆斯蒂埃 弗洛伦斯·卢瓦雷 米歇尔·索博 奥
语言：法语
年代：未知
简介：Somewhere on isolated mountainous plain. Johann has taken over his father’s farm, devoting all his time and energy to his work. Surrounded by a struggling community and a natural landscape that has taught him all he knows, his heritage is his entire life. As autumn goes and winter comes, a barn burns to the ground and jeopardizes the fragile balance of the farm's survival. The story of a man trying to love the world he belongs to one last time, as hard as he can, before it sinks into darkness.
备注：已完结
类型：喜剧片
语言：其它
年代：未知
简介：Jaya and Yogi set out on a short journey to retrace past relationships and end up in the most eventful, strange, crazy trip of their lives. This short journey through Rishikesh, Bikaner and Gangtok with the ups and downs, the missed trains and taxi rides, the heartbreak and the mending of old friendships, the quarrels and self-discovery, sweeps Jaya and Yogi away, and indeed us as well, into a very special and unforgettable experience. And do they fall in love We really hope so.
备注：已完结
类型：剧情片
语言：英语
年代：未知
简介：一名偏执狂的数据分析师因不断听到耳鸣而感到沮丧，他在一个临时实验室里进行了一系列家庭实验，记录了他为治疗自己的耳鸣而进行的执着尝试。但随着他的研究变得越来越黑暗和恐怖，一个可怕的秘密背后他的疯狂状况被揭示了一个潜在的治愈方法比他想象的更险恶。
备注：已完结
类型：爱情片
语言：
年代：未知
简介：有林（朴海日饰）是一名26岁的教师，他在有恋人的情况吓遇上了比他大一岁的美术老师红（姜惠贞饰），他马上对红的美丽而倾倒。有林慢慢的接近了红，并向红提出发生关系的要求，红当然一口拒绝，因为她本身就有一个医生男朋友。碍于工作的关系，有林还是有机可乘约会了红，并哄她到旅馆内，最终两人还是发生了关系。虽然红即将结婚，但面对有林的死缠烂打，她还是偶尔跟有林约会。不久，他们的关系跟一些关于红的情史被学生放到了互联网上，整所学校都知道了。有林这时候挺身而出为红辩护，为了红他甚至与自己的女朋友争吵起。可红不领情之余，还要控告有林强奸，有林将失去教师的资格。
备注：已完结
类型：恐怖片
语言：其它
年代：未知
简介：In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears vengeance against the descendants of the Inquisitors. 300 years later, a comet that was passing overhead on the night of the Baron’s execution returns to earth, bringing with it the Baron in the form of a horrible, brain-eating monster that terrorizes the Inquisitor’s descendants.
备注：已完结
类型：科幻片
主演： ö
语言：其它
年代：未知
简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
